Special feature of 1905 film network As soon as the series "The Wind Rises in Longxi" begins, Zhuge Liang’s front lens faces the ladder and climbs up the stairs. Kong Ming’s momentum is still there, but his brow is a little tired.

For the sake of this scene, it is not too many, but the director has found many actors to set a down-graded role for the series. It was not until he turned on the phone that he found a good friend and the actor played the role.
After receiving this news, Li Guangjie was very happy. After all, before that, he missed the cooperation with director Lu Yang many times. What’s more, this time his role was Zhuge Liang.
For actors, there are challenges. This difficulty is precisely where Li Guangjie is worried and nervous.

How to play different Zhuge Liang well? This proposition was put before him.
At present, the drama "The Wind Rises in Longxi" scored 7.7 points, making it one of the most highly rated dramas in recent hit dramas.

Zhuge Liang, played by Li Guangjie, was also recognized by some audiences. Following the 1905 film network and his exclusive dialogue, he rediscovered his original understanding of Zhuge Liang.
"migrant workers"
Everyone who has experienced the college entrance examination has been "tortured" by Zhuge Liang’s Model. Perhaps many people still remember that it was an epigraph he wrote to his late master Liu Chan before the Northern Expedition to the Central Plains.
However, "The Wind Rises in Longxi" happened after the failure of the first Northern Expedition, and all kinds of pressures and doubts came to Zhuge Liang. "In the face of all kinds of difficulties, Zhuge Liang was helpless, but he still persisted in his ideals and stubbornly completed the great cause of the Northern Expedition, while he was tired and lonely."

When discussing the role, Li Guangjie and director Lu Yang have the same idea.After all, there have been too many classic images of Zhuge Liang in various film and television works in the past.
Many people have the impression that the version is full of rhetoric and Confucianism, and it is the handsome appearance of the version. These interpretations, together with the resourceful description of Kong Ming in the novel Romance of the Three Kingdoms, make Zhuge Liang almost a "deified" image.

In his creation, Lu Yang hopes that this role can be "descended to the world". At present, he has received very limited support, and he is no longer a high-spirited young man who lashes out at Fang Qiu in Chibi.
With the same idea as director Lu Yang, as an actor, Li Guangjie is more confident to challenge this role.
"migrant workers."Li Guangjie made a footnote to his own version of Zhuge Liang. "Even in the face of difficulties and misunderstanding by others, his efforts may be invisible to others, but he is still stubbornly sticking to what he should insist on."

"The Wind Rises in Longxi" is a spy war drama in ancient costume, which is almost in an environment of intrigue. Especially after Chen Gong (ornaments) reveals the identity of "New Candle dragon" (Wei spy code), the whole story is reversed again. Zhuge Liang is always the unshakable pillar, even maintaining paranoia contrary to the environment.
"That’s what Zhuge Liang insisted on all his life. It’s a particularly glorious place on him. In modern words, it’s a place with arc light."

When it comes to this version of Zhuge Liang, Li Guangjie can’t help complaining about it. It’s really too difficult. "A person leads a country forward, and no one helps him. The boss is such a boss."
"different"
"excited."Li Guangjie recalled that after he arrived at Xiangshan Film and Television City, he put on Zhuge Liang’s costume and finished his makeup, and that kind of actor’s understanding and challenge to the role came into being.
Based on director Lu Yang’s interpretation of the role, as well as the description of the original novel The Wind Rises in Longxi and the history of the Three Kingdoms, Li Guangjie has a deeper understanding of this Zhuge Liang.

Being under one person in Shu and above ten thousand people, Zhuge Liang has many scenes for meetings. In the original design of Luyang, he was sitting at the front of a long table, symbolizing the position of leadership.
To make himself a role, Li Guangjie always put himself in Zhuge Liang’s position, speculating his inner state at that time. "I hope he can stroll there, he needs to keep walking. One is to make his thinking more active, and the other is really anxious, but he can’t let all the people who come to the meeting see his anxiety, so I hope to find some behaviors to cover up Zhuge Liang’s inner state. "

After putting forward this idea, Lu Yang also thought that this kind of walking would be a good plus item.Not only the scene design, but also the modeling, Li Guangjie made a bold attempt.
In the Romance of the Three Kingdoms, Zhuge Liang is often described as a feather fan. In the subsequent design of this role, the feather fan is always his iconic object.
However, in "The Wind Rises in Longxi", Li Guangjie chose not to take it, or to take less fans.

This form of change is also directed by Lu Yang and Li Guangjie, who want to break the audience’s image of Kong Ming with a fan.
"In your subconscious, do you want to challenge the audience’s cognition of Zhuge Liang?" We can’t help but throw this question to the actor in front of us.
"It’s not a challenge, I just have a strong idea to perform a different Zhuge Liang."
"impress the audience"
The tacit understanding and surprise are Li Guangjie’s greatest feelings after this cooperation with Luyang.
At the shooting scene, Lu Yang always had a whim, hoping that the actors could give more possibilities. Under this kind of time pressure, it will inevitably be some difficulties for actors. But it is precisely this difficulty that has stimulated the creative expression of Li Guangjie and other actors. "This temporary and unexpected has become the most attractive part of the whole creation."

Li Guangjie, who went to the computer room for the first time to watch the rough cuts, was "fascinated" by Lu Yang’s director’s creation. "Director Lu Yang skillfully moved some good and interesting films into the creation of TV dramas."
With this cooperation experience, Li Guangjie can’t help but ridicule that he can’t miss the cooperation of director Lu Yang again. "And now I send him a WeChat every half month,’ I’m here’, reminding him all the time, and I will think of him next time I have the opportunity."
As for his evaluation of playing Zhuge Liang, he gave more possibilities to the audience. "I am ready. Zhuge Liang is a highly recognized image, so everyone’s heart must be different. I can’t walk into everyone’s heart."

As a veteran actor, Li Guangjie is not the first to interpret this classic role. In the past, he played many such images repeatedly interpreted by other actors in various video arts. Especially at that time, in Towards the Republic, with the corner of Guangxu, the audience remembered the name of Li Guangjie.

The accumulation of experience has enabled him to find a standard in his creation. First of all, he must have an image in his heart, and then combine the director’s ideas to create this image in this work. "We must also be worthy of the role itself. It is enough to have a clear conscience."
In addition, Li Guangjie has also contributed one original and deeply rooted classic role in many film and television works.

Especially in the movie, the last sentence "my last order, live" moved many viewers. In the officially announced projects, whether it is the original script "Courtyard of the County Party Committee" or the adapted script "Wild Growth", Li Guangjie brought these characters to the audience for the first time.
"How to make the audience believe and know, and bring the audience into the specified situation of this story, into the inner world of the character, and follow his joys and sorrows, this will be the difficulty of another dimension."

As an actor, he doesn’t want to define himself too much, and he doesn’t want to solidify his own imagination.
Returning to the performance, his own state is becoming more and more "Buddhist", and he has little obsession with acting. He just hopes that he can use these roles to impress the audience.









































