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Special feature of 1905 film network As soon as the series "The Wind Rises in Longxi" begins, Zhuge Liang’s front lens faces the ladder and climbs up the stairs. Kong Ming’s momentum is still there, but his brow is a little tired.

　

For the sake of this scene, it is not too many, but the director has found many actors to set a down-graded role for the series. It was not until he turned on the phone that he found a good friend and the actor played the role.

　

After receiving this news, Li Guangjie was very happy. After all, before that, he missed the cooperation with director Lu Yang many times. What’s more, this time his role was Zhuge Liang.

For actors, there are challenges. This difficulty is precisely where Li Guangjie is worried and nervous.

　

How to play different Zhuge Liang well? This proposition was put before him.

　

At present, the drama "The Wind Rises in Longxi" scored 7.7 points, making it one of the most highly rated dramas in recent hit dramas.

Zhuge Liang, played by Li Guangjie, was also recognized by some audiences. Following the 1905 film network and his exclusive dialogue, he rediscovered his original understanding of Zhuge Liang.

"migrant workers"

Everyone who has experienced the college entrance examination has been "tortured" by Zhuge Liang’s Model. Perhaps many people still remember that it was an epigraph he wrote to his late master Liu Chan before the Northern Expedition to the Central Plains.

　

However, "The Wind Rises in Longxi" happened after the failure of the first Northern Expedition, and all kinds of pressures and doubts came to Zhuge Liang. "In the face of all kinds of difficulties, Zhuge Liang was helpless, but he still persisted in his ideals and stubbornly completed the great cause of the Northern Expedition, while he was tired and lonely."

When discussing the role, Li Guangjie and director Lu Yang have the same idea.After all, there have been too many classic images of Zhuge Liang in various film and television works in the past.

Many people have the impression that the version is full of rhetoric and Confucianism, and it is the handsome appearance of the version. These interpretations, together with the resourceful description of Kong Ming in the novel Romance of the Three Kingdoms, make Zhuge Liang almost a "deified" image.

　

In his creation, Lu Yang hopes that this role can be "descended to the world". At present, he has received very limited support, and he is no longer a high-spirited young man who lashes out at Fang Qiu in Chibi.

　

With the same idea as director Lu Yang, as an actor, Li Guangjie is more confident to challenge this role.

　

"migrant workers."Li Guangjie made a footnote to his own version of Zhuge Liang. "Even in the face of difficulties and misunderstanding by others, his efforts may be invisible to others, but he is still stubbornly sticking to what he should insist on."

　

"The Wind Rises in Longxi" is a spy war drama in ancient costume, which is almost in an environment of intrigue. Especially after Chen Gong (ornaments) reveals the identity of "New Candle dragon" (Wei spy code), the whole story is reversed again. Zhuge Liang is always the unshakable pillar, even maintaining paranoia contrary to the environment.

　

"That’s what Zhuge Liang insisted on all his life. It’s a particularly glorious place on him. In modern words, it’s a place with arc light."

　

When it comes to this version of Zhuge Liang, Li Guangjie can’t help complaining about it. It’s really too difficult. "A person leads a country forward, and no one helps him. The boss is such a boss."

"different"

"excited."Li Guangjie recalled that after he arrived at Xiangshan Film and Television City, he put on Zhuge Liang’s costume and finished his makeup, and that kind of actor’s understanding and challenge to the role came into being.

　

Based on director Lu Yang’s interpretation of the role, as well as the description of the original novel The Wind Rises in Longxi and the history of the Three Kingdoms, Li Guangjie has a deeper understanding of this Zhuge Liang.

　

Being under one person in Shu and above ten thousand people, Zhuge Liang has many scenes for meetings. In the original design of Luyang, he was sitting at the front of a long table, symbolizing the position of leadership.

　

To make himself a role, Li Guangjie always put himself in Zhuge Liang’s position, speculating his inner state at that time. "I hope he can stroll there, he needs to keep walking. One is to make his thinking more active, and the other is really anxious, but he can’t let all the people who come to the meeting see his anxiety, so I hope to find some behaviors to cover up Zhuge Liang’s inner state. "

　

After putting forward this idea, Lu Yang also thought that this kind of walking would be a good plus item.Not only the scene design, but also the modeling, Li Guangjie made a bold attempt.

　

In the Romance of the Three Kingdoms, Zhuge Liang is often described as a feather fan. In the subsequent design of this role, the feather fan is always his iconic object.

However, in "The Wind Rises in Longxi", Li Guangjie chose not to take it, or to take less fans.

　

This form of change is also directed by Lu Yang and Li Guangjie, who want to break the audience’s image of Kong Ming with a fan.

　

"In your subconscious, do you want to challenge the audience’s cognition of Zhuge Liang?" We can’t help but throw this question to the actor in front of us.

　

"It’s not a challenge, I just have a strong idea to perform a different Zhuge Liang."

　

"impress the audience"

The tacit understanding and surprise are Li Guangjie’s greatest feelings after this cooperation with Luyang.

　

At the shooting scene, Lu Yang always had a whim, hoping that the actors could give more possibilities. Under this kind of time pressure, it will inevitably be some difficulties for actors. But it is precisely this difficulty that has stimulated the creative expression of Li Guangjie and other actors. "This temporary and unexpected has become the most attractive part of the whole creation."

　

Li Guangjie, who went to the computer room for the first time to watch the rough cuts, was "fascinated" by Lu Yang’s director’s creation. "Director Lu Yang skillfully moved some good and interesting films into the creation of TV dramas."

　

With this cooperation experience, Li Guangjie can’t help but ridicule that he can’t miss the cooperation of director Lu Yang again. "And now I send him a WeChat every half month,’ I’m here’, reminding him all the time, and I will think of him next time I have the opportunity."

　

As for his evaluation of playing Zhuge Liang, he gave more possibilities to the audience. "I am ready. Zhuge Liang is a highly recognized image, so everyone’s heart must be different. I can’t walk into everyone’s heart."

　

As a veteran actor, Li Guangjie is not the first to interpret this classic role. In the past, he played many such images repeatedly interpreted by other actors in various video arts. Especially at that time, in Towards the Republic, with the corner of Guangxu, the audience remembered the name of Li Guangjie.

The accumulation of experience has enabled him to find a standard in his creation. First of all, he must have an image in his heart, and then combine the director’s ideas to create this image in this work. "We must also be worthy of the role itself. It is enough to have a clear conscience."

　

In addition, Li Guangjie has also contributed one original and deeply rooted classic role in many film and television works.

　

Especially in the movie, the last sentence "my last order, live" moved many viewers. In the officially announced projects, whether it is the original script "Courtyard of the County Party Committee" or the adapted script "Wild Growth", Li Guangjie brought these characters to the audience for the first time.

　

"How to make the audience believe and know, and bring the audience into the specified situation of this story, into the inner world of the character, and follow his joys and sorrows, this will be the difficulty of another dimension."

　

As an actor, he doesn’t want to define himself too much, and he doesn’t want to solidify his own imagination.

　

Returning to the performance, his own state is becoming more and more "Buddhist", and he has little obsession with acting. He just hopes that he can use these roles to impress the audience.

   [Tianji Net Notebook Channel]Dual-screen and folding notebooks surprised many technology enthusiasts for a long time in 2019, and the time came to 2020. At this year’s CES exhibition, many manufacturers "made persistent efforts" and once again exhibited notebook computers with folding screens or dual screens. In addition to Lenovo, Dell has also expanded its territory in this field. Recently, they released a device called "Concept  Ori "folding screen notebook, and a dual-screen notebook" Concept  Duet”。

    At present, these two devices are only concept machines, so the official has not given specific specifications, and more are just used for technical display. Concept  Ori is a folding screen notebook product, which is equipped with a 13.4-inch P-OLED flexible screen. The design director of Dell said that they have spent a lot of effort to solve the hinge design problem of the flexible screen.

    Current folding screen products, such as Samsung Galaxy  Fold and Huawei Mate  X, folding screen will have creases, Concept  Ori is no exception, but the crease is not obvious if it is not on a white background. Current Concept  There are few gestures on Ori, but some media experiences have found that once Concept  When the Ori is folded up, there will be a virtual screen at the bottom for users to input text, which is still very logical.

    Concept  Duet design and Surface  Neo is similar, but the size is much larger, which compromises a certain portability. This device is equipped with two 13.3-inch screens connected by a hinge similar to Lenovo Yoga. Dell also released a physical keyboard that can be placed on the bottom screen, which can be used together to save users from the embarrassing feeling of tapping on the screen.

    Because Microsoft supports Windows&ensp with dual screen/folding devices; 10  X has not yet appeared, and Dell has temporarily developed a set of operation methods suitable for them. For example, you can transfer an app from one screen of Duet to another with a three-finger gesture, or double-click with four fingers can transfer the app  Stretch across two screens. In addition, when you put the keyboard accessories on the screen below, the uncovered part will automatically display the touchpad, making the experience more like a normal notebook.

    Of course, these devices are only prototypes, and all kinds of hardware and software configurations only exist in the theoretical and debugging stages. However, Dell has undoubtedly complied with the trend of double-sided screen/folding screen that may appear in the notebook industry, showing the maturity of hardware, and waiting for the maturity of software more than the launch of the real machine. Perhaps the era of dual-screen or folding screen will come earlier than expected.

    On July 30th, the special event of 2023 vivo Video Festival was officially held, and the latest exploration achievements of vivo in the field of image technology and culture were announced. Focusing on the three technical bases of optics, computing power and algorithm, vivo released a brand-new 6nm process self-developed image chip V3 and algorithm matrix, shared the latest achievements of AIGC, and joined hands with Zeiss to launch major technical achievements such as telephoto lenses that meet the brand-new standard "Vario-Apo-Sonnar".

    Further strengthen independent innovation, release self-developed chip V3 and image algorithm matrix.

    In this activity, vivo newly released the self-developed image chip V3 with 6nm process technology. With the newly designed multi-concurrent AI perception -ISP architecture and the second generation FIT interconnection system, the energy efficiency ratio increased by 30% compared with the previous generation. V3 image chip can bring users the super experience of 4K movie portrait mode, such as movie-level Jiao Wai blur, automatic subject focus detection and switching, movie-level skin optimization and movie color processing. Its technical strength makes vivo a mobile phone manufacturer that can realize 4K movie portrait video and 4K post-shoot editing function of Android.

Vivo released a brand-new 6nm process technology self-developed image chip V3.

    In addition to the self-developed chip upgrade, vivo has also built a comprehensive composite algorithm matrix from technology to scene, which includes a big engine and two big systems. The new vivo original image engine VOIE(vivo origin imaging engine) comprehensively improves the basic algorithm ability of vivo from three sub-modules: ultra-clear image quality, color reproduction and computing power acceleration, and upgrades the image quality, color tone and computing power. At the same time, based on the moving image theory system of "real world-imaging system-post-processing algorithm" and combining the core user scenes of portraits and night scenes, vivo has created two major image systems, namely, the super-touching image system and the sky night scene system, which has continuously consolidated the accumulation of underlying technologies of vivo in portraits and landscapes and continuously led the era of computational photography.

Vivo algorithm matrix

    Deepen joint innovation again and build a prosperous image ecosystem.

    Vivo creates great products for users through joint innovation with universities and enterprises. At the university level, vivo and Zhejiang University, Zurich Federal Institute of Technology and other universities at home and abroad explore basic frontier theories and technologies such as AI frontier network design and image quality. At the enterprise level, vivo also maintains close cooperation with all partners. Among the numerous cooperations, vivo has continuously strengthened its long-term and in-depth cooperation with Zeiss, the market leader in the optical field, and has been iterating over Zeiss optical lens, Zeiss T* coating and ZEISS Look.

    Vivo and Zeiss continue to explore new lens design and launch telephoto lenses that meet the new standard "Vario-Apo-Sonnar". Vario-Sonnar, as a compact optical lens design, has excellent imaging quality, excellent sharpness and large aperture. Combined with APO design applied to mobile imaging system, it can greatly improve the zoom quality of mobile phones. This telephoto lens also adopts floating lens group technology, which has extremely high resolution and focusing ability. Its creamy blur effect can further highlight the subject, and can realize telephoto landscape photography, macro photography and telephoto close-up portrait photography, taking into account the diverse demands of users for telephoto and macro photography.

Vivo and Zeiss jointly launched a telephoto lens conforming to the "Vario-Apo-Sonnar" standard.

    The new generation of vivo X90 Pro+ all-P lens adopts ALC coating technology, and its single lens reflectivity is reduced by 42.8% compared with the previous generation. In order to further suppress glare and ghosting, the newly upgraded Zeiss T* coating will be equipped with Multi-ALD technology and will be equipped on the main camera of the next generation vivo X series flagship model. The reflectivity of the lens center will be reduced from 0.2% to 0.1%, which is 50% lower than that of the previous generation ALC coating, thus bringing clearer picture performance.

    Vivo and Zeiss jointly created products around ZEISS Look, jointly recreated the classic blur style of Zeiss lens, and launched Zeiss lens packages with various styles, such as Zeiss Biotar blur style, Zeiss Cinematic blur style, Zeiss Cine-Flare flare portrait, so that users can also experience the unique blur effect of professional photography lenses on their mobile phones. In order to meet the pursuit of professional users, the two sides also jointly launched Zeiss natural colors to truly and accurately restore what they see.

    In addition to in-depth cooperation in product innovation, vivo is also committed to more diversified and extensive cooperation with Zeiss, so that more users can enjoy the joy of creation through smart phones with cutting-edge imaging technology.

    In-depth creation of professional portraits and extreme night scenes, and continuous empowerment of professional imaging experience.

    As the main track of vivo images, vivo has been building its professional portrait shooting ability. vivo has always been aiming at "mobile portrait master", and has continued to precipitate in the field of professional portrait shooting. Combined with its own hardware capabilities, it has continuously upgraded its super-touching portrait system, forming a unique portrait style of vivo with "clear characters, natural skin color, and gradual degree of reality and reality", bringing the portrait style that users like to smart phones, bringing more intelligence, clarity, beauty and prominence.

    In addition to the continuous exploration in the traditional portrait track, vivo is also actively involved in the research and development of future images and 3D portrait technology, and makes innovations and attempts in two new technical directions: portrait 3D reconstruction perception and virtual content. For this reason, vivo has established Chongqing 3D imaging laboratory and set up a film-and-television light field system, which can reconstruct a "pore-level" 3D model of human body and achieve a more realistic and high-fidelity rendering visual effect in virtual environment. With the underlying data support of historical products and the capability reserve of the three major portrait 3D perception algorithms with face, human body and gesture as the core, the system can accurately capture and drive the interactive perception of facial expressions, human gestures and gestures.

Vivo brand-new super touching image system

    Based on the perception ability of portrait 3D reconstruction, vivo superimposes AIGC algorithm to create three application scenarios: generative portrait style, generative portrait editing and various portrait AR special effects. Among them, the generative portrait style allows users to take more natural photos of virtual and real scenes through vivo mobile phones, and realize the humanized experience of "shooting portraits of the four seasons without leaving home". Generative portrait editing can let users re-edit lighting, age, hairstyle, expression and other contents based on their own preferences through techniques such as texture reconstruction and illumination estimation algorithm. In addition, based on the stable mobile portrait 3D perception technology, vivo also provides a variety of portrait AR special effects to continuously activate users’ creative enthusiasm.

    In terms of scenery shooting and night scene imaging, vivo has been steadily upgraded in three aspects: image quality, tone and color.

    In order to present users with clearer image quality and realize the freedom of night scene creation, vivo has built an advanced image quality solution based on the Sky Night Scene System, which can realize the super night scene with full focus. Its upgraded version of SuperRAW technology will also support all rear cameras, which can meet users’ needs for wider night scene post-adjustment.

    In terms of tone and color, vivo is also constantly exerting its strength to present a night scene effect full of atmosphere. Based on VOIE, the original image engine of vivo, the new Sky Night Scene System focuses on introducing Zhencai Night Scene Model, which can learn AI based on millions of night scene photos, and realize its own tone and color adjustment for night scene. Full-link night HDR function can greatly optimize the overall look and feel of preview, shooting, display and other links in the night scene with strong contrast between light and dark, and bring users a dazzling night scene atmosphere. In addition, the newly upgraded XDR Photo 2.0 adds a highlight color protection mechanism for the artificial light source with high dynamic and high saturation at night, which can improve the overexposure of highlights without affecting the color performance of the light source and retaining the night scene atmosphere.

    Accurate expression of color is very important for image creation, but a single color style can not meet the diverse needs of users. Therefore, on the basis of the vivid colors of vivo, which are loved by users, and the natural colors of Zeiss, which give professional photographers more space in the later period, vivo draws inspiration from representative films and master photography works, and introduces the rich, delicate and personalized texture colors of vivo on the flagship product X90s. After the introduction of vivo texture color, it has been recognized and loved by professional photographers such as Alex Webb and many users. In order to better meet users’ demands, vivo X Fold2, X Flip and X80 series will be upgraded in September.

    In recent years, vivo has encouraged "paying attention to the present and praising the daily life" and responded to the era of "everyone is a creator" through a series of humanistic video activities such as the video plus mobile phone photography contest and the FIRST ultra-short film contest. In 2020, vivo opened the first video plus mobile phone photography contest. Up to now, vivo users from more than 40 countries and regions around the world have participated in it, and nearly one million works have been collected. At the special event of this video festival, the winners of the 2023vivo Video Plus Mobile Phone Photography Competition were announced. Photographers Jiehan Herry Saputro and Jiang Xinyuan won the Best Work of the Year and the Zeiss Professional Video Award respectively for their works Let me Fly and Dreaming, while photographers Ma Chen and Wei Dong won the "X90 Series Best" for their works The Eyes of Lan Bing and The Tension of Life. At the event site, vivo also shared a group of special works "A Photography Class in the Mountain", telling the story of two girls’ lives changed by photography, and writing new possibilities for the distant places that images can reach.

Best work of the year: Jiehan Herry Saputro "Let me fly"

    In the future, vivo will continue to take the user’s needs as the origin, gain the shooting experience of every ordinary creator with the help of professional imaging technology, enrich the ecology and connotation of mobile image creation, adhere to the initial intention of "scientific and technological intentions, images from the heart", and let "humanized professional images" benefit more mass creators.

Recently, the founder of Elephant Point Show, Mr. Wu Feiyue, posted a false news titled "To the team of < The Taste of Rice Flowers >: Please don’t steal under the guise of literature and art" on WeChat WeChat official account and online platform. On April 28th, the film producer Yong ‘an (Tianjin) Film and Television Culture Co., Ltd. issued a public statement, calling it an arbitrary cutting fact, and spread a lot of false information on the Internet, which seriously affected the personal reputation of the director Mr. Pengfei and directly affected the film.

　

The full text of the statement is as follows:

　

Public statement on the incident of Wu Feiyue and Elephant Pointing Company.

　

Recently, Mr. Wu Feiyue published an article entitled "To the team of Taste of Rice Flowers: Please don’t steal under the guise of literature and art" in WeChat official account, the elephant screening. In view of Mr. Pengfei, the director of the film Taste of Rice Flowers and his creative team, who is being shown in the cinema of our company, arbitrarily cut out the facts and spread a lot of false information on the Internet, which has seriously affected Mr. Pengfei’s personal reputation and directly affected the reputation of the film Taste of Rice Flowers.

　

Regarding Wu Feiyue’s false information in this article, I hereby declare the following for the record.

　

1. Mr. Pengfei has contacted a number of potential publicity partners, including Elephant Dianying. Mr. Pengfei has never accepted the so-called "business plan" in the above article. The only time I received it on WeChat, Mr. Wu Feiyue sent Mr. Pengfei the Introduction of the 100-city premiere within 9 minutes after Mr. Pengfei proposed it to Mr. Wu Feiyue.

Our company solemnly points out that Mr. Wu Feiyue can send Mr. Pengfei the Introduction to the Elephant Premiere within 9 minutes, which belongs to the advertising sales products of Elephant Point Film Company, and is by no means a customized plan for the Taste of Rice Flowers. Any friend who is interested or thinks it necessary to determine its content or nature can come to our company to check the content and judge its nature with the Brief Introduction to the Elephant Premiere provided by Mr. Wu Feiyue.

It is worth noting that Mr. Wu Feiyue’s screenshot of WeChat in the above article intentionally or unintentionally cut off the time when Mr. Pengfei sent WeChat to cover up the fact that he sent the Introduction to the Elephant Premiere to Mr. Pengfei within 9 minutes. Whether Mr. Wu Feiyue did this intentionally or unintentionally remains to be explained by Mr. Wu Feiyue or confirmed by the authority in the future rights protection procedure.

　

2. We have not signed any agreement or definitive document with Elephant Point Film Company. After investigation, we think that some publicity modes and behaviors of elephant screening are different from the mainstream social values advocated by Taste of Rice Flowers, and its attention and energy seem to be more concerned about whether it can get investment from outside or customers. After careful consideration, the producer decided not to cooperate with it to announce the issue. Since then, our company has not contacted Mr. Wu Feiyue and Elephant Dianying actively.

　

We would like to take this opportunity to express our heartfelt thanks to the fans for seeking truth from facts and being more firm in their trust and support in the face of libel in The Taste of Rice Flowers and the director Mr. Pengfei. We earnestly hope that Mr. Wu Feiyue and Elephant Point Shadow Company will be cautious in their words and deeds, stop making and disseminating false information, undertake basic social obligations and abide by basic business rules, so as to thank friends from all walks of life who have cared about and supported them.

　

The Company reserves the right to pursue the legal responsibilities of Mr. Wu Feiyue and Elephant Point Film Company.

　

In the statement, Yong ‘an (Tianjin) Film and Television Culture Co., Ltd. hopes that Mr. Wu Feiyue and Elephant Dianying will be cautious in their words and deeds, and will not continue to manufacture and disseminate false information. The company will reserve the right to investigate the tort liability of Mr. Wu Feiyue and Elephant Dianying Company according to law.